More Leah

Since I posted yesterday, Google’s search algorithm has turned things around a bit: Leah McLaren‘s site for The Continuity Girl is still the third hit, but other pages have gotten a nice PageRank boost so there’s a little less bile immediately evident. I’d never even thought to look at Rotten Tomatoes for a list of Leah’s movie reviews (she’s seen a lot more than I have, but we share basically the same opinions on the ones that coincide), and this interview at Gremolata is an interesting read too. (There’s an all-salmon diet? Ewww.)

I think the funniest thing, though, is this line from her G&M bio: This is her first real job. That’s exactly how I describe the job I’ve held for a decade (ever since graduating), and I don’t plan to leave anytime soon.

Finally, for what it’s worth, Mark Evans sort of echoes my call for Leah to start a blog of her own. You know, it seems to me that a book tour would be ideal fodder for a few posts… I’m just sayin’….

Just a second

Apparently Canada’s record 24-medal haul at the Torino Olympics would have been higher but for a single second:

  • Short-track speed skater Eric Bedard missed bronze by 4-1,000ths of a second in the men’s 500.
  • Skier Kelly VanderBeek missed bronze by 3-100ths in the women’s super-G.
  • Francois Bourque missed bronze by 76-100ths in the men’s giant slalom.
  • Pierre Lueders missed bronze by 9-100ths of a second in four-man bobsleigh.

For those of you keeping track, that’s four medals and a total of .884 seconds.

But frankly, as one who has no athletic talent at all, I’m in awe of the whole team, medals or no (with the exception of the less-than-inspiring men’s hockey team).

Here we go again?

This evening, more than 1,500 employees of the CBC and its French-language service rejected contract demands from the network, prompting their union leader to warn the broadcaster it could soon have a strike on its hands. […] With two months to go before the collective agreement winds down, the union is claiming that negotiations are at a standstill and that Radio Canada is gearing up for a showdown. More at I Love Radio.

In defense of, and disagreement with, Leah McLaren

The day I decided to swear off the blogosphere was the morning I decided to plug my own name — and the names of several other writers I know and admire — into the search engine at technorati.com, a site known as Blogger HQ (it claims to itemize every new blog on the Internet; last time I checked, the head count was more than 28 million). The results of my search were grim: countless chat rooms full of bitter unpublished writers venomously slagging published ones — their terrible spelling, poorly constructed sentences and outrageous amounts of displaced hatred and envy a testimony to why they became bloggers in the first place.

With all due respect to Leah McLaren—and that amount is considerable, given how much I’m enjoying The Continuity Girl, which I bought based solely on her interview with Lenni Jabour—I believe a lot of what she’s run up against can be explained by Sturgeon’s Law: Ninety percent of everything is crud. It doesn’t help that there’s a legion of bloggers whose sole purpose seems to be to denigrate the mainstream in general and her in particular: taking Google as another datapoint, her own website is currently only the third link in a search for her own (uncommon) name, sandwiched between six pages by schmucks with hate-ons for her.

To those misguided souls, by the way, I say this. Look folks, Leah McLaren didn’t draw those anti-Muslim cartoons, she didn’t swindle her way into a cabinet position, she’s not a right-wing nutter like Ann Coulter or Bill O’Reilly, and she didn’t kill your beloved pet gerbil in grade three. She’s a talented, successful young writer who happens to create a lighthearted, inoffensive column in a national newspaper. The misogynistic vitriol that’s spewed at her—the stuff that’s halfway literate, anyway—is written for reasons and from psychological places that are incomprehensible to me. (And I’m sure you’ll all find your way here to explain them in abhorrent depth using as many abusive references to me and Ms McLaren as possible.)

My own problem with the blogosphere is not that it’s selling out to the mainstream, but that most of it is spectacularly boring. The dominant quality is tedium: writers without editors, fact-checkers or paying subscribers to keep them in check. […] One tempting explanation is that what a blogger has to say is unfit for publication. This is usually true. Much like teachers who teach because they can’t do, the blogger blogs because he can’t publish.

Having said all of that, here’s where I think McLaren doesn’t grasp the blogosphere—at least, my blogosphere.

First, tedium is in the eye of the beholder. I find one of her touchstones, Gawker.com (a New York-based site that specializes in celebrity takedowns disguised as sightings), endlessly tedious; and I’m sure she’d say exactly the same thing about Slashdot, and perhaps even Boing Boing. (Even she would have to love the remixed TTC map though.) This to me is totally understandable, and to be expected: we don’t all butter our bread on the same side.

Second, I debate that corporate sites like Gawker, while being popular, have anything to do with the real blogosphere, the so-called Long Tail. The interesting weblogs are the ones that are written by individuals from all walks of life who just happen to be both passionate about their topics of discussion and sufficiently erudite to express that passion. (I count myself out of that group: Petroglyphs is interesting mainly to me, and often not even that.) To pick three at random from my blogroll, Tim Bray‘s wide range of interests makes Ongoing endlessly fascinating, I’m in some not-insubstantial awe of renaissance man James Tauber‘s various projects, and On the Road is a wonderful online rendition of she-who-is-Kristin Sweetland. None of them have editors, none use fact-checkers, and none are being paid to do what they do online.

(And editors and fact-checkers ain’t all they’re cracked up to be anyway: just look at Antonia Zerbisias’s azerbic for her great coverage of the things that the blogosphere has brought into the open, or read a bit about Jayson Blair.)

Third, the fact that most bloggers aren’t published—and, more, aren’t beholden to their subscribers—is often an advantage: once a blogger has his teeth into something, he won’t let go just because it’s past the news cycle, as well-evidenced by Mike Watkins and his continuing reportage on avaricious political defector David Emerson.

“The word blogosphere has no meaning,” [Choire Sicha] said. “There is no sphere; these people aren’t connected; they don’t have anything to do with each other.”

The final point that shows what I believe to be Ms McLaren’s fundamental misunderstanding of the blogosphere is stated in the quote she chose to end her piece. The blogosphere—the real blogosphere—is entirely about being connected. Comment pages, trackbacks, pingbacks, and the links and links and links between all of them, are the life’s blood of the blogosphere, and the main reason it grew so quickly. And much like the internet itself, the blogosphere routes around damage: that ninety percent crud will remain unlinked and unnoticed, at least in the long term, and its Google juice will slowly dissipate and dry up.

But I guess I’ll have to try to discuss all—well, some—of this with her in person, since she’s swearing off the blogosphere for good. And even if I don’t get a chance (or, more likely, chicken out when given it—me only grunt when pretty girl close) I’m going to keep reading her columns—and aren’t they, at their core, just paper-based blogs?—and her books, which I hope will be frequent and numerous.

An interesting little postscript: the blogosphere’s noticed that Leah’s gone. Right now "Leah McLaren" is the fourth of the top searches on Technorati.

And hire an editor, too

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  1. If your service require[s] a review fee, why is your spider visiting my site in the first place?
  2. Your spider reports the following User-Agent: [CompanyName] (Spider; [company domain]/spider.html; [spider@domain]). What name is used to exclude your spider using robots.txt, CompanyName or Spider? Did you consider that Spider is an excessive generic term?
  3. An additional word in each topic (sample: Arts & Humanities; Business & Industry; Careers & Employment; Computers & Internet) does not a unique structure make.
  4. I highly doubt you’re informing Google’s crawler about anything; and if you are, why have your own spider in the first place?
  5. You don’t use volunteers for your unique structure, but want me to define your categories for you?
  6. You’re allowing me the privilege of paying for your operations costs while building your directory for you. That’s a sweet deal… but somehow I don’t think a 404 is the thing being pulled.

No link to the offending site, even using a vote-against relation.

I still prefer Spidey

Take away Superman’s undeserved advantages and you’ve got a moderate Republican representative from the great state of Iowa. Take away Batman’s undeserved advantages, and he’s still friggin’ Batman.

Innie/outie

…as long as Assorted Nonsense gives me an opportunity to converse with a small group of friends and acquaintances, vent my frustrations, record my thoughts, misspell words, post the odd picture slash audio clip, and cultivate that delicious frisson of fear that comes only with risking immediate termination by posting while at work…

…I shall continue to blog.

Strange animal

Ask one who’s known me if I’m really so bad.

I am.

That’s an unfair opening line: Gowan himself was the best part of Orchestra London’s Strange Animal concert tonight. Even writing the previous sentence gives him short shrift: he’s as good as ever, still the same guy who, twenty-one years ago, released the great Strange Animal album. But even he couldn’t save the performance honouring the belated anniversary of that album.

The evening started poorly with an uninterested host (probably from one of the local radio stations) reading off a list of sponsors—as if the 20-foot-high projected logo and banners all around Centennial Hall weren’t enough to make the point. (For some reason it’s the current fashion in London at concerts, theatre performances, etc., to sap any excess energy from audiences before allowing them to see what they bought tickets for.) After she left the stage and the lights came down, the orchestra launched into the Gowan Overture, a tame instrumental greatest hits medley that’s the requisite introduction for this sort of rock’n’roll tribute, apparently to remind the audience that they’re watching serious musicians who are just slumming tonight.

Once Gowan hit the stage things notched up, as he jumped into Beethoven’s Moonlight Sonata, a fitting (but not very well integrated) introduction to Moonlight Desires. It’s at that point, though, that the most egregious problem of the evening became evident: the terrible sound. Centennial Hall has a reputation of being a uniquely horrible place to hold concerts, but tonight was especially bad. The strings might as well not have shown up, and at times even Gowan’s piano disappeared into the mush.

Things continued as well as possible through the end of the first set, which included music from Great Dirty World, Lost Brotherhood and But You Can Call Me Larry, as well as a song from Gowan’s current gig as lead singer of Styx (which was, ironically, a cover song itself, and even more ironically, one recorded by Procol Harum, a group well known for their work with orchestras). Maybe unsurprisingly given the surroundings, there was hardly any patter between songs, although he did get off a few one-liners about his post-mullet songs. An unexpected highlight was the rendition of the Maple Leaf Rag—or, perhaps more properly, two renditions, the second at rocket speed after a quick piano spin. The hour finished with the appropriately-named Victory from Gowan’s eponymous debut album, one of the better-balanced performances of the night.

After intermission the bored blond host came back out to do some more soul-sucking for the sponsors, then ceded the stage to a redressed Gowan, who looked for all the world as if he’d stepped out of one of his 1980s videos. This set would be, he promised, the entire Strange Animal album… and so it was… sort of.

I’ve heard some good arrangements of popular music for the orchestra—Spirit of the West’s Open Heart Symphony comes to mind as a recent example—and I’ve always thought that parts of Strange Animal would be well-suited to an orchestral treatment. The word that I thought of early in the first set, though, was neutered, and that impression was reinforced throughout the second set. Only City of the Angels and Walking On Air—two songs that were originally fairly symphonic anyway—fared reasonably well. Strange Animal is, at its heart, a dark album, but all evidence of that darkness was missing; even Guerilla Soldier, which even people unfamiliar with the song could guess is a bitingly cynical look at the progression of a foreign war, was rendered musically toothless.

The second set ended with Strange Animal, omitting A Criminal Mind. To no one’s surprise—not least of all because it was printed in the program!—the song was the first encore piece. The concert closed with another song that Styx recently covered: a mostly-unnecessary version of the orchestra-friendly I Am The Walrus.

Dave, my friend who holds a Ph.D. in psychology, would probably suggest that this review is tainted by a primacy effect: because the music didn’t sound like it does on the CDs I’ve listened to for decades, I was predisposed to not like it. To that hypothetical argument I’d respond that I’ve listened to and enjoyed a lot of reworkings of familiar music over the years, and even prefer some of the new versions to the originals. I’ve seen Gowan perform new versions of these songs as recently as five years ago, during a festival in Toronto. So while I don’t completely rule out that there’s primacy coming into play, I think its effect on my opinion is negligible. Gowan and his music lived up to my expectations, but the arrangements, the venue, and the concert as a whole were ultimately disappointing.