{"id":465,"date":"2005-06-01T21:10:24-04:00","date_gmt":"2005-06-02T02:10:24+00:00","guid":{"rendered":"http:\/\/peterjanes.ca\/blog\/?p=465"},"modified":"2005-06-01T22:57:17-04:00","modified_gmt":"2005-06-02T03:57:17+00:00","slug":"ah-isnt-it-good","status":"publish","type":"post","link":"https:\/\/peterjanes.ca\/blog\/2005\/06\/01\/ah-isnt-it-good\/","title":{"rendered":"Ah, isn’t it good"},"content":{"rendered":"

While reading through the huge backlog of weblog posts in my aggregator<\/a> I came across the 80-odd entries I’d left unread in Wil Wheaton’s weblog<\/a>. (For those following along at home, that’s all the way back to October 2004 and part one of Viva Las Vegas<\/cite><\/a>.) Wil likes to use lyrics as post titles, and the eponymous song<\/a> of December’s first post jumped right into my head when I read it: fixing a hole<\/cite><\/a>. Even though that’s three hours ago now, the song’s still fresh in my brain, and I don’t mind a bit.<\/p>\r\n\r\n

It will hardly be unexpected to learn that I’m a Beatles fan. Strangely, though, I don’t own a single one of their records, which also explains the dearth of Fab Four in my MP3\/Vorbis collection. (I still can’t decide if the resulting lack of Apple Records content on my Apple iPod is ironic or not.) What I do have, though, is a lot of covers of and homages to their songs, including George Martin’s celebritized In My Life<\/cite>, Eric Idle’s great mockumentary The Rutles (in: All You Need Is Cash)<\/cite> (and its inferior sequel The Rutles 2: Can’t Buy Me Lunch<\/cite>) and Peter Sellers’ readings of A Hard Day’s Night<\/cite>, Can’t Buy Me Love<\/cite>, Help!<\/cite> and all four versions of She Loves You<\/cite>, to say nothing of the references in songs like Lenni Jabour’s<\/a> Closet<\/cite><\/a>. This winter I also had the pleasure of seeing a note for note, cut for cut<\/q> version of Sgt. Pepper’s Lonely Hearts Club Band<\/cite> in Windsor, which had the added bonus of featuring one Alex McMaster<\/a> playing cello. A Day in the Life<\/cite> live? Wild.<\/p>\r\n\r\n

Which all leads to Tim Bray’s<\/a> recent disturbing sentiment:<\/a><\/p>\r\n

Which Sixties band is more important: the Beatles, Cream, or Black Sabbath? The answer: Black Sabbath. Go anywhere and visit the rock & roll bars or scan the FM dial, and you\u2019ll hear a lot of music that sounds like Sabbath. There\u2019s nobody working these days that sounds much like Cream or the Beatles.<\/p><\/blockquote>\r\n\r\n

It’s sad but true, and it’s why I try to seek out and support great, unique musicians: Lenni<\/a>, Allison<\/a>, Brenda<\/a>, Bruce Cockburn<\/a>, David Byrne<\/a>, Dayna<\/a>, Emm<\/a> (who, ironically, has covered Crazy Train<\/cite>), John<\/a>, everyone else mentioned here<\/a>, and all the others who don’t get the exposure and attention they deserve.<\/p><\/div>

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