{"id":596,"date":"2006-02-09T12:35:00-05:00","date_gmt":"2006-02-09T17:35:00+00:00","guid":{"rendered":"http:\/\/peterjanes.ca\/blog\/2006\/02\/09\/letter-to-the-editor-of-now-magazine\/"},"modified":"2006-02-09T12:35:00-05:00","modified_gmt":"2006-02-09T17:35:00+00:00","slug":"letter-to-the-editor-of-now-magazine","status":"publish","type":"post","link":"https:\/\/peterjanes.ca\/blog\/2006\/02\/09\/letter-to-the-editor-of-now-magazine\/","title":{"rendered":"Letter to the editor of NOW&nbsp;Magazine"},"content":{"rendered":"<div class='e-content'><p>Sent via email:<\/p>\r\n<blockquote class=\"letter\">\r\n<p>To the editor,<\/p>\r\n\r\n<p>Brent Raynor&#8217;s recent review of Lenni Jabour &amp; The Third Floor&#8217;s &#8220;Les Dangereuses&#8221; (NOW, February 9-15, 2006) does tragic disservice to an excellent release by one of Canada&#8217;s best, bravest, and most original artists.  The disc marks an evolution in the group&#8217;s sound while preserving Lenni&#8217;s sensitive, often bittersweet lyrics and continuing the influences of the best of the Parisian cabarets.  That in fewer than 100 words the review denigrates Miss Jabour&#8217;s reflective and evocative pieces as being &#8220;schmaltzy&#8221; and &#8220;pretentious&#8221; and even &#8220;macabre&#8221; shows what can only be construed as a personal bias&#8212;against the artist, a certain musical style, or some other aspect; Mr. Raynor doesn&#8217;t expand on his reasons&#8212;that unfairly ignores the remarkable and seamless melding of genres, style, and, above all, substance that Lenni et al have accomplished.<\/p>\r\n\r\n<p>NOW&#8217;s readers, &#8220;Les Dangereuses&#8221;, the musicians of The Third Floor, and Lenni Jabour herself, deserve better than this undeservedly dismissive and callous article.<\/p>\r\n\r\n<p class=\"signed\">Peter Janes<br \/>\r\nLondon, ON<\/p>\r\n<\/blockquote><\/div><div class=\"syndication-links\"><\/div>","protected":false},"excerpt":{"rendered":"Sent via email: To the editor, Brent Raynor&#8217;s recent review of Lenni Jabour &amp; The Third Floor&#8217;s &#8220;Les Dangereuses&#8221; (NOW, February 9-15, 2006) does tragic disservice to an excellent release by one of Canada&#8217;s best, bravest, and most original artists. The disc marks an evolution in the group&#8217;s sound while preserving Lenni&#8217;s sensitive, often bittersweet&hellip;","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"mf2_syndication":[],"venue_id":0},"categories":[2],"tags":[],"kind":false,"_links":{"self":[{"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/posts\/596"}],"collection":[{"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/comments?post=596"}],"version-history":[{"count":0,"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/posts\/596\/revisions"}],"wp:attachment":[{"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/media?parent=596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/categories?post=596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/peterjanes.ca\/blog\/wp-json\/wp\/v2\/tags?post=596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}