{"id":833,"date":"2008-07-01T14:45:12-04:00","date_gmt":"2008-07-01T18:45:12+00:00","guid":{"rendered":"http:\/\/peterjanes.ca\/blog\/?p=833"},"modified":"2008-07-15T18:48:11-04:00","modified_gmt":"2008-07-15T22:48:11+00:00","slug":"guy-music","status":"publish","type":"post","link":"https:\/\/peterjanes.ca\/blog\/2008\/07\/01\/guy-music\/","title":{"rendered":"Guy music"},"content":{"rendered":"

It’s been mentioned more than once that my music-related posts<\/a> have tended to be about female performers; for whatever reason they’ve generally been the friendlier bunch, even if they’re recently incommunicado<\/a> or completely MIA<\/a>. But it’s long past time to give the guys their due, and since it’s Canada Day I’ll focus on some of the Canadians.<\/p>\r\n\r\n

Ironically, the first set of guys… aw heck, enough has been made of their name. I’ve been a fan of Barenaked Ladies<\/a> since near the beginning; not quite the Pink Tape days, but I do have an original copy of the Yellow Tape. The Brothers Creeggan<\/a>, a side project by current member Jim and former member Andy, are also high on the list.<\/p>\r\n\r\n

Moxy Früvous<\/a> is another since-the-beginning band: I’ve got the self-titled indie tape (featuring Green Eggs and Ham<\/cite>). In fact, I’d have to give Mike Ford credit for re-invigorating my interest in comics through a chat at an in-studio performance at CFNY.<\/p>\r\n\r\n

I’ve only seen Bruce Cockburn<\/a> perform once, and in a fairly non-traditional folk venue at that: Montreal’s Theatre Maisonneuve, during the 1997 Montreal Jazz Festival. Still, his Waiting For A Miracle<\/cite> collection is one that I turn to regularly, and his cover of Always Look on the Bright Side of Life<\/cite> always cracks me up.<\/p>\r\n\r\n

Pete O’Connell<\/a>, before his life as “a feature film compositor and visual effects instructor”, performed as\/with a one-man band<\/a>. His CD The Back Tire<\/cite>, recorded with one-woman-band player Andrea Bonetto, is the only thing I’ve got from those days.<\/p>\r\n\r\n

Mike Ford<\/a>, formerly of Moxy Früvous, and Nathan Caswell<\/a>, formerly of Nathan Caswell, both perform extremely<\/em> Canadian songs. They both write songs that alternate between the humorous (Nathan’s Einstein’s Brain<\/cite>; Mike’s Huge on the Luge<\/cite>) and the personal (Mike’s Crossroads (Song for Jane Jacobs)<\/cite> and Nathan’s This Old Farm<\/cite>), and they’ve both got a real sense of place (Nathan’s Pulp Town<\/cite> and Mike’s Tooker (La Monde à Bicyclette)<\/cite>); Mike’s take also leans toward the historical and educational on the two volumes of Canada Needs You<\/cite> and Stars Shone On Toronto<\/cite>.<\/p>\r\n\r\n

There are more, but this post is getting a little long; Spirit of the West<\/a>, John Mann<\/a>, Gowan<\/a>, Kurt Swinghammer<\/a>, Hugh Marsh<\/a> and others are going to have to wait—although hopefully not until next Canada Day!<\/p><\/div>

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