Even though I knew what to expect from The Body from seeing it earlier in the Fringe, catching the nuances and details I’d missed the first time—a lighting cue here, a sentence there—made it even better the second time around. My previous glowing review (mistakenly posted to the Fringe forums as “Guest”) doesn’t come close to being a sufficient appreciation of Lydia Zadel’s performance or Andrew Zadel’s writing.
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