It’s a tough job…

I’ve neglected to mention until now Emerald Austerberry’s December post about being blogged about after interviewing bloggers, and how her feature article wasn’t a solo effort. In my post I didn’t mention the detailed followup call I received from one of the other RRJ staffers (whose name I can’t remember, sorry!) and I didn’t know about the involvement of so many others. Now that I’m editing and doing (light) fact-checking for a book on local history, I’m coming to understand just how hard those other jobs are.

Emerald obviously deserves a lot of credit for her research and writing, but I’m particularly glad to see the generous public acknowledgment she’s given her team.

Just wanted to say that… plus I couldn’t resist blogging about her blogging about me blogging about her writing about me blogging. 🙂

History and future of robots-exclusion

About three and a half years ago I published a first cut at what I called an XMDP-style Robot Profile. XMDP forms the basis of what are now known as microformats, so a few months after that post I created an example and a page on the Technorati developers wiki. Shortly after that the wiki was moved to its own domain and my robots-exclusion page with it.

Since then I’ve been sort of an absentee landlord; several people, including microformat maven Tantek Çelik, have contributed comments, but the profile itself hasn’t changed, or really garnered much attention. Regardless of that—and perhaps because of it—I recently released the document and all of my (few) contributions to the wiki in general into the public domain (it was previously under CC-BY), prompted by this post.

I hope that the proviso that any content added to the microformats wiki from here forward is placed into the public domain for maximum possible reuse means there will be more of a look at this pseudo-microformat. I haven’t seen other ideas (vendor-specific ones aside) take off, so I think it’s still an itch that needs to be scratched.

Five words

When I heard this news I didn’t think of a civil rights activist or a well-regarded actor. All that came to mind are these five words:

and these ten: “I suppose that means we can have his gun now.”

BANG!

Here’s the dialogue from the video in the previous post. It’s unlike anything else you’ll hear on television, and it demonstrates why The Big Bang Theory is currently my favourite sitcom: I know these guys. I am these guys.

  1. LEONARD: See, the liquid metal Terminators were created in the future by Skynet, and Skynet was developed by Miles Dyson, but that future no longer exists due to Dyson’s death in Terminator 2.
  2. SHELDON: Okay, then riddle me this: assuming all the good Terminators were originally evil Terminators created by Skynet but then reprogrammed by the future John Connor, why would Skynet, an artificial computer intelligence, bother to create a petite, hot seventeen-year-old killer robot?
  3. LEONARD: Skynet is kinky?
  4. SHELDON: Artificial intelligences do not have teen fetishes.
  5. LEONARD: All right, wait, they use it to…
  6. SHELDON: [makes buzzer noise] Too late. I win.

Web work

I’m currently involved, in one form or another, with the development or redevelopment of four websites. Every one of them is stalled in some way.

One, a simple reworking of an existing site, has received an exorbitant quote that’s in danger of being accepted.

One I’ve created myself from scratch, and I’m actually sort of proud of it. It’s completely live except for the home page, which redirects to one of the “social networking” sites, so in effect it doesn’t exist either… and still it’s the very first link for the subject out of the almost 2000 results that Google returns. That one’s been ready to go since Christmas, it’s just proven to be impossible to get the necessary people to review it, let alone approve of its publication; the way things have gone recently I’m wondering if I’ll ever be able to turn it on. Got an answer: nope.

I’ve offered to redevelop another—the live version of which has been dormant for two months—and I’ve even started building it “on spec” so it wouldn’t take as long to ramp up, but it’s been six weeks since I’ve heard anything about it. Movement today.

Worst of all, one is supposedly “live” but has been broken for over a month: links to the new functionality—which were the entire reason for the redevelopment—are pointing to an application that’s completely missing, a big step down from the incomplete version that was present the last time I was able to see it.

If I had more hair, I’d have less of it today.

CZLJ: All Lenni all the time

John asked for more Lenni content, and who am I to say no?

She’s just started a new blog (which takes the place of the old one).

She’s released two singles from her upcoming CD Greatest Hits: I Love Rock N’ Roll and Evil Ways.

She’s got a new MySpace URL, which is easier to tell people than the old one (finally).

She’s got more shows coming up in Paris.

And last, but in no way least, she’s posted this short film that she’s used to introduce her recent performances:

Music, videos

A couple of my favourite musicians have had videos posted to YouTube in the last week or so, and they’re coming to London in the next several weeks, so it seems like a good time to do some promotion.

The first is a solo artist who I met at this year’s OCFF conference, Catherine MacLellan. She just released a cool video for her song Too Easy, a song from her newest CD Wedding Bell Blues. I’ve watched the video closely several times and I think they might actually have done the whole thing practically; I’m not sure they’d have included the last 30 seconds if it wasn’t. Catherine is going to be performing here in town very soon, so maybe I’ll ask her then.

The second—through fifth!—of the artists are the Girls With Glasses, a quartet of southwestern Ontario-based singer-songwriters who have been performing together for four years. Their debut together on YouTube is a series of videos (starting here) from their recent performance at Aeolian Hall. Some of the video and sound quality leaves a bit to be desired, but the songs and performances more than stand up. Worth particular mention are two of Evalyn Parry‘s songs, The Stone and the Bumblebee, performed completely off-mic to take advantage of the hall’s amazing acoustics, and her spoken word piece Bottle This!, which forms the core of her campaign against bottled water. Evalyn’s going to be at the Music Club soon too… good thing I live so close!

(The original title of this post was Video shilled the radio star, but it’s been done… and shill has negative-enough connotations that it’s not worth the wordplay.)

Far miss

Lenni has been in Paris since July, and from all accounts is wowing the locals. Her residency at Les Blancs Manteaux, a charming little corner theatre that could only exist in the City of Lights, started in October, and has already earned a glowing review (en français, bien sûr). Yes, I’ve missed her.

But she’s back, in just two more sleeps, for a single performance before returning to Europe.

Needless to say, I’ll be there. Absence, as the saying goes….